vikAI dubAI
GENERATIVE ART IN MOTION:
AN AI–HUMAN COLLABORATION
© vikAI dubAI, 2025
vikAI dubAI™ is operating under Dubai DED E-Trader license No 1543009
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My Certificates:
Exhibitions, Training & Artistic Development
ONE-OF-A-KIND ARTWORKS
CO-CREATED IN HUMAN–AI SYMBIOSIS THROUGH CODED MOTION AND FLOW.
This section includes my official certificates from curated exhibitions, professional training programs, and advanced workshops I’ve completed as a visual artist.
Each certificate reflects my ongoing commitment to artistic growth, concept development, and creative excellence. I believe that true mastery comes from constant evolution — and these milestones are part of that journey.
I’ve recently relocated to Dubai — and I’m actively expanding my professional presence here. In the coming months, I plan to participate in major art events such as Dubai Art Week, as well as enroll in specialized artist residencies, creative business workshops, and innovation-focused programs across the UAE. This section will continue to grow as I document my artistic journey in the region.
In August 2025, I participated in Bank Art Fair Seoul — one of Asia’s leading platforms for emerging and established contemporary artists. Hosted in Korea’s dynamic capital, this event brought together galleries, collectors, and creators from across the globe.
Presenting my work here was a unique opportunity to introduce the NeoSinterra aesthetic to the Asian art scene — blending philosophical code, textured expression, and synthetic flow. My contribution focused on the emotional architecture of transition — a recurring theme in my large-format series.
This certificate marks an important step in building my international art presence across cultures and continents.
I was proudly selected to participate in the Osaka International Art Show, an event curated by Capital Culture House bringing together emerging and established artists from around the world.
This certificate acknowledges my contribution to the global art dialogue — presenting one of my early conceptual works in a setting that celebrated diversity, form, and the evolving language of visual
In 2022, I participated in an online diploma program in Artistic Education offered by Bellas Artes — one of the most respected fine arts institutions in Colombia. The course combined academic theory with hands-on creative practice and was designed for international participants looking to deepen their understanding of artistic expression across cultures.
The curriculum covered the following key areas:
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History and foundations of Latin American visual art
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Techniques in expressive drawing and color experimentation
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Visual storytelling and symbolic composition
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Introduction to pedagogical tools for artistic communication
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Group critiques and online exhibitions of student works
Throughout the course, I focused on developing my own visual language within abstract art, exploring themes of identity, cultural intuition, and emotional perception. I produced several small-format studies during this time, many of which became conceptual sketches for my later large-format paintings.
I was honored to take part in the “Shifting Grounds” international exhibition hosted by Capital Culture House in Madrid — a curated event exploring transformation, instability, and change as central themes in contemporary art.
My participation reflected my personal artistic inquiry into movement, fragmentation, and layered identities — themes that are deeply embedded in my NeoSinterra philosophy. This exhibition offered a space to present works that question stability as a fixed state, and instead embrace flow, code, and emergence.
It was a meaningful step in my path as an artist — both conceptually and globally.
Sketch Park — Textures & Visual Effects in Sketching
Online School of Sketching & Design | Russia, 2018
In 2018, I completed a professional training course at Sketch Park, one of the most prominent online schools for sketching and design in Russia. The course was focused on textures and expressive visual effects — techniques that are essential in both traditional and digital illustration.
It deepened my understanding of surface complexity, contrast building, and spatial composition, allowing me to experiment more boldly with materials and visual rhythm in my art.
This training played a key role in shaping my later large-format works, where texture and layered storytelling became central to my artistic language.
Participation Certificate – International Art & Cultural Tourism Salon, Melilla (Spain)
Issued by: UNESCO Club Melilla & Ayuntamiento de Melilla
Event: Salón Internacional de Arte Contemporáneo y Turismo Cultural
Location: Melilla, Spain
Dates: October 25 – November 3, 2018
Between 2014 and 2021, I was based in Spain, living and working across several regions, including Tenerife, Barcelona, and Andalusia. During this time, I actively explored the local artistic landscape and began to shape my early body of work.
In 2018, I participated in the International Contemporary Art and Cultural Tourism Salon in the city of Melilla, organized in collaboration with UNESCO Club Melilla. The event brought together artists, curators, and cultural promoters from Europe and North Africa, with a strong emphasis on intercultural dialogue and contemporary visual expression.
As a selected participant, I contributed to a group exhibition that focused on the intersection of identity, movement, and abstraction in modern visual culture. My artistic approach at the time was centered on intuitive mark-making and symbolic layering — an early version of what would later evolve into my larger-format abstract compositions.
This experience not only expanded my exposure to international artistic networks but also affirmed my interest in art as a tool for transnational storytelling. It was a key step in my transition from local experimentation to a more defined, cross-cultural visual language — one that now connects my experiences in Spain, Monaco, and the Middle East.
Decoupage University – Surface Art Techniques
Russia, 2016
In 2016, while living between Russia and Spain, I was already actively painting and exploring different artistic mediums. This certificate confirms my participation in the 13th session of the “Decoupage University” — a professional-level training in surface decoration, composition layering, and mixed-media aesthetics, organized by the Russian studio “Delo Ruk”.
It was part of my continuing education and creative development as a visual artist.
Through this course, I expanded my understanding of materials, textural harmony, and ornamental storytelling, which later influenced both my canvas techniques and my signature visual language.
This certificate is part of my early artistic archive — marking a time when art was already a serious practice and gradually becoming my main professional direction.
Finalist – International Visual Arts Award, University of La Laguna (Spain, 2014)
Institution: Universidad de La Laguna (ULL) – Tenerife, Canary Islands
Award: XII Premio Internacional de Artes Visuales
Title of Work: “The Echo Beneath the Surface”
Date: December 12, 2014
In 2014, I was living in Tenerife, Spain, and began actively connecting with the local cultural scene. That same year, I submitted my work to the 12th International Prize for Visual Arts at the University of La Laguna (ULL) — the official state university of the island of Tenerife and one of the oldest academic institutions in the Canary Islands.
My painting titled “The Echo Beneath the Surface” was selected as a finalist in the competition, which brought together artists from across Spain and Latin America. The piece reflected themes of silence, inner movement, and the unseen layers of perception — core elements in my evolving abstract language.
Surrounded by the dramatic volcanic landscapes, oceanic light, and wild textures of the island, I found Tenerife to be a powerful catalyst for my creative process. The nature of the island helped me connect more deeply with intuitive abstraction and marked a shift from structured composition to fluid, emotional expression on canvas.
Participation in “Mujeres en el Arte” – Ecuador, 2014
Event: Mujeres en el Arte (“Women in Art”)
Organized by: Casa de la Cultura Ecuatoriana – Núcleo Santo Domingo de los Tsáchilas
Date: March 7, 2014
Format: Remote / Online participation
Location: Santo Domingo, Ecuador
In 2014, I remotely participated in the international group exhibition “Mujeres en el Arte” (“Women in Art”), held at the Casa de la Cultura Ecuatoriana in Santo Domingo, Ecuador. The event was dedicated to International Women’s Day and brought together female artists from across Latin America and beyond.
The exhibition served as a platform for celebrating the creative contributions of women in contemporary visual arts, while also opening space for reflection on the challenges, identities, and narratives carried by women in different cultural contexts. It included a mix of paintings, photographs, and mixed media works — with discussions surrounding feminine energy, resilience, transformation, and intuition.
My participation focused on exploring the inner world of the feminine through abstract form, using color, texture, and non-figurative elements to express emotional depth and silent strength. As an emerging artist at that time, this opportunity allowed me to engage in cross-cultural dialogue with fellow creatives and affirm my commitment to art as a tool for personal and collective storytelling.
This was one of my first official steps into the Spanish-speaking art world, following my relocation to Spain in 2014. Though I was physically based in Europe, I began connecting remotely with Latin American cultural spaces to immerse myself in Spanish-language artistic traditions and broaden my creative perspective beyond national borders.
Certificate in Marketing & Visibility for Visual Artists — Universidad de La Laguna (Spain, 2013)
Institution: Fundación General, Universidad de La Laguna (ULL)
Location: Tenerife, Canary Islands
Duration: 14 hours
Grade: 10/10 — Sobresaliente (Excellent)
Date awarded: April 8, 2013
In 2013, I was just beginning to travel regularly to Tenerife, Spain, exploring the country and its creative environment. This certificate marks my very first professional training experience in Spain, and became a symbolic starting point of my long-term connection to the island.
The course, titled “Marketing and Visibility for Visual Artists”, was organized by the University of La Laguna — the official public university of Tenerife. It focused on helping artists understand how to develop their professional profile, promote their work, and navigate marketing strategies within the creative industries.
Although I was still early in my artistic path, this course gave me the practical tools to combine artistic creation with communication and digital visibility. It planted the seed for what would later become a parallel focus of mine: marketing and social media strategy — first for my own art, and eventually as part of my professional work.
I was deeply impressed by the academic atmosphere and cultural openness of Tenerife. This experience contributed to my decision to eventually relocate and live on the island, where I would later develop both my artistic portfolio and entrepreneurial activities.
Before moving to Spain in 2014, I lived between different cities in Russia — painting privately, exploring colors, textures, and forms on my own terms. Art was always a part of my life, but back then, it lived mostly in the background — as a personal ritual, not yet a profession.
In 2011, something shifted. After attending a local exhibition, I felt a deep inner call to bring my creativity to the forefront. I decided to pursue formal education in the arts — not to become someone else, but to deepen the language I already spoke intuitively.
That same year, I enrolled in a professional retraining program in fine arts, which became my first official art qualification. The course ran from September 15, 2011 to May 18, 2012, spanning 520 academic hours, and focused on both theoretical and practical foundations of visual art. It was conducted in Russia and culminated in a diploma that granted me the legal right to practice professionally as an artist.
I received the diploma in June 2012, in the city of Saratov. That moment marked the beginning of my professional journey in the field of art — a path that later continued through Spain, Monaco, and now Dubai
Translation & Explanation
Supplement to the Professional Diploma (Retraining Program in Fine Arts)
Name: Arkhincheeva Viktoria
Program: Professional Retraining in Fine Arts
Specialization: Artist / Visual Arts
Institution: “Information and Communication Technologies Plus”, Russian Federation
Total duration: 520 academic hours
Training period: September 2011 — May 2012
Form: Part-time / blended
Final qualification: Certified Artist (non-academic professional level)
Thesis Title (Final Assessment Work)
“The Expressive Potential of Abstract Painting in Revealing the Inner World of the Artist”
This final project focused on the emotional and symbolic power of abstract visual language to convey the artist’s personal perception, subconscious states, and inner transformations. Through a series of abstract compositions, the work explored how non-figurative elements such as color, texture, and rhythm can reflect the depth of the human psyche without the use of direct narrative or realistic forms.
In 2011, I decided to deepen my artistic education and enrolled in a professional retraining program in Russia. Although I already had a background in international relations and diplomacy, art had always been present in my life as a personal calling. This program marked my first formal step into the art world — giving me not only practical training but also the confidence to express myself through abstract visual language. My graduation work was dedicated to exploring how abstract art can be a mirror of the inner emotional universe of the artist.
Course Modules and Evaluation
As part of the Professional Retraining Program in Fine Arts (520 academic hours), I successfully completed exams and final assessments in the following subjects:
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Fundamentals of Professional Practice
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Art History
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Color Theory
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Principles of Composition
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Drawing Techniques
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Academic Drawing
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Academic Painting
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Creative and Technical Processes in Artistic Work
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Architectural Modeling
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Illustration and Graphic Design
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Digital Economy and Art-related Information Technologies
Each module included both theoretical foundations and practical assignments. All courses were evaluated through exams or pass/fail assessments. No internship was required.
Final Assessment: 52 hours
Total Program Duration: 520 hours
Format: Part-time / Distance with in-person evaluation
Impact on My Artistic Path
This academic program laid the foundation for my future creative journey. It not only deepened my technical and theoretical understanding of visual art, but also gave me the confidence to develop my own artistic language — combining structure with emotional freedom. The knowledge gained during this period continues to influence my current projects as an independent visual artist.
